Cosmic beings, you survived the Aquarius Solar Eclipse and the launch of the Year of the Fire Horse, and honestly… that was a lot. This ...

Cosmic beings, you survived the Aquarius Solar Eclipse and the launch of the Year of the Fire Horse, and honestly… that was a lot. This week shifts the pace. We’re now fully in Pisces Season, and the assignment is simple but not easy: slow down. Go with the flow. Rest without guilt. Dream without immediately turning the dream into a five-step action plan. After last week’s Saturn–Neptune conjunction, many of you are receiving quiet downloads about where your energy actually belongs. Trust what’s coming through, even if it doesn’t look “productive” yet. Sitting with your feelings, journaling, meditating, or simply doing less is also progress. Pisces energy reminds us that clarity grows in still water.

On February 24th, the First Quarter Moon in Gemini brings the first reality check since the eclipse. First quarter moons tend to feel like roadblocks or tension points, moments where you realize that the intention you set now needs adjustment. Because this one is in Gemini, the medicine is flexibility. If something isn’t working, don’t double down out of stubbornness. Ask more questions. Look at the situation from another angle. Have the conversation. Pivot if needed. This is less about pushing harder and more about staying curious enough to find a smarter path forward.

Then on February 26th, Mercury shifts retrograde in Pisces, and the emotional weather gets… watery. Focus may feel slippery, timelines may blur, and your mind might drift into nostalgia, daydreams, or full cinematic flashbacks from the past. Miscommunications are possible, especially when feelings are implied instead of spoken clearly. But this retrograde has a gift: it’s powerful for emotional closure, forgiveness, creative reflection, and tying up loose ends your intuition already knows about. People from the past may resurface, memories may stir, and old feelings may ask for acknowledgment. Just remember: feel everything, but stay grounded. Not every emotion is a crisis… sometimes it’s just your heart clearing space for what’s next.

Read your horoscopes for your Sun and Rising signs for the most in-depth forecast.

Aries Sun & Rising:

Aries, this week feels like the emotional cool down after being spiritually and energetically “on stage” for most of the month. With the Saturn–Neptune conjunction freshly behind you, you may still be processing major identity downloads… who you are now, what you’re ready to commit to, and what version of you is officially retired. The first full week of Pisces Season asks you to move slower than usual, even if your instinct is to charge forward.

Then on February 24th, the First Quarter Moon in Gemini may bring a mental speed bump… a conversation, decision, or piece of information that makes you rethink your next move. Don’t treat this as a setback. Gemini energy is about adjusting your approach, asking questions, and staying flexible rather than forcing clarity too quickly.

The tone turns even more inward on February 26th, when Mercury begins its retrograde in Pisces, activating your realm of healing, rest, and spiritual closure. As February wraps up, you may feel more introspective, nostalgic, or emotionally sensitive than usual. Old memories, dreams, or unresolved feelings could surface, not to overwhelm you, but to be released. This is a powerful time to unplug, journal, meditate, and tie up emotional loose ends rather than pushing new plans forward. After a month of intense visibility and transformation, the real alignment now comes from solitude and softness. Think of this as your energetic reset before your season arrives.

Taurus Sun & Rising:

Taurus, the first full week of Pisces Season shifts your focus toward connection, community, and your long-term vision for the future. You may feel more emotionally attuned to your friendships, social circles, or online spaces, noticing who feels aligned with the person you’re becoming and who doesn’t quite match your energy anymore. This is a softer, more heart-centered time for collaboration and dreaming with others.

However, on February 24th, the First Quarter Moon in Gemini activates your money and self-worth zone, bringing a potential reality check around finances, pricing your value, or how much energy you’re giving compared to what you’re receiving. If a small obstacle shows up, don’t panic. Gemini energy asks you to stay flexible, explore options, and adjust your strategy rather than taking it personally.

Things may feel a bit more fluid and unpredictable starting February 26th, when Mercury goes retrograde in Pisces for three weeks. Miscommunications with friends, shifting group dynamics, or social media and tech hiccups are possible. You might even feel the urge to step back from certain platforms or take a break from being constantly available. This retrograde isn’t here to disrupt your peace, it’s here to help you reassess where your energy truly belongs. If plans change or connections feel unclear, resist the urge to control every outcome. Some things are meant to realign on their own. Your job is simply to stay grounded in your values and let the right circles reveal themselves.

Gemini Sun & Rising:

Gemini, the first full week of Pisces Season puts your career, reputation, and long-term direction in the spotlight, but in a softer, more reflective way than you might expect. You may feel more emotionally connected to your work, questioning whether your current path actually aligns with your purpose, not just your skills.

Then on February 24th, the First Quarter Moon in your sign brings a personal checkpoint. This can feel like a moment of pressure, a decision point, or a sudden realization about how you’re showing up professionally and personally. If something feels like a roadblock, don’t rush to push through it. This is Gemini energy at its best when you pause, gather more information, and adjust your approach rather than forcing a single outcome.

The tone shifts on February 26th, when your ruling planet Mercury shifts retrograde in Pisces. As February wraps up, you may find yourself rethinking a professional goal, reconsidering a public role, or feeling the need to slow down rather than chase the next opportunity. This isn’t the ideal time to launch brand new pitches, apply impulsively for roles, or make major career commitments unless the process began before the retrograde. Instead, think of this as a strategic review period. You’re refining your trajectory, not falling behind. The more honest you are about what success actually looks like for you now, the clearer your next move will be when Mercury moves forward again.

Cancer Sun & Rising:

Cancer, as a moon-ruled sign, you’re still feeling the energetic aftershocks of last week’s Aquarius solar eclipse more strongly than most. Eclipses tend to activate your emotional radar, and you may be entering this week feeling heightened, reflective, or aware that something internally has shifted. Now that the cosmic intensity is settling, the first full week of Pisces Season offers a welcome emotional flow. Pisces energy supports your growth, faith, and long-term vision, helping you reconnect with hope after a period of major internal processing.

That sense of forward momentum meets a checkpoint on February 24th, when the First Quarter Moon in Gemini activates your rest, closure, and mental health zone. This can feel like a temporary pause or emotional speed bump, especially if you’ve been pushing yourself to “figure everything out.” You may need more sleep, quiet time, or space away from noise and expectations. Gemini energy here isn’t asking you to solve anything immediately, it’s encouraging you to listen to your inner dialogue and release mental clutter before taking your next step.

The pace shifts further inward on February 26th, when Mercury begins its retrograde in Pisces in your expansion realm for the next three weeks. Plans related to travel, education, publishing, entrepreneurship, or big-picture goals may need to be revisited, delayed, or adjusted. Instead of forcing new launches or committing to major long-term decisions, use this time to refine your vision. You may rediscover an old idea, reconnect with a previous opportunity, or realize your direction needs a slight pivot. This retrograde isn’t blocking your growth, it’s making sure your next leap is aligned with who you’re becoming.

Leo Sun & Rising:

Leo, you’re entering this week still processing the emotional intensity of the recent eclipse, and you may feel more aware than usual of your deeper needs and boundaries. The first full week of Pisces Season activates your intimacy, healing, and shared resources zone, pulling your focus beneath the surface. This energy asks you to slow down and get honest about emotional exchanges, financial entanglements, or situations where you’ve been giving more power away than you realized.

Then on February 24th, the First Quarter Moon in Gemini brings a social checkpoint. A conversation with friends, a group dynamic, or a long-term goal may require adjustment. If plans shift or people show you new sides of themselves, stay flexible. Gemini energy here is about recalibrating your network so it reflects where you’re actually headed.

As February winds down, the tone turns even more reflective. On February 26th, Mercury starts its retrograde in Pisces for the next three weeks. You may need to revisit agreements around money, boundaries, or expectations in close relationships. Old feelings could resurface, or past connections may reappear for closure. This isn’t the time to make major financial commitments or merge resources impulsively. Instead, think of this period as emotional and energetic bookkeeping. The more honest you are now about what you share, what you owe, and what you need, the stronger your foundation will be moving forward.

Virgo Sun & Rising:

Virgo, this week is all about relationships, reflections, and recalibrating how you show up with others. The first full week of Pisces Season activates your partnership realm, putting the spotlight on one-on-one dynamics in love, business, and close collaborations. You may feel more emotionally attuned to others’ needs, but also more aware of where the balance feels off.

Then on February 24th, the First Quarter Moon in Gemini brings a reality check around your career or public direction. A professional conversation, decision, or expectation could create temporary pressure that spills into your personal life. Gemini energy asks you to stay adaptable and communicate clearly rather than assuming you have to carry everything alone.

Things get more personal on February 26th, when your ruling planet Mercury shifts retrograde in Pisces for the next three weeks. Because Mercury governs you, you’ll feel this shift more strongly than most. Miscommunications, mixed signals, or unresolved dynamics with partners may surface, not to create chaos, but to be addressed honestly. This isn’t the best time to rush into new relationship commitments, sign major contracts, or make emotional ultimatums. Instead, think of this as a relationship review period: old conversations may resurface, past partners could reappear, or you may simply see a current dynamic more clearly. The more patient and transparent you are now, the stronger and more balanced your connections will become.

Libra Sun & Rising:

Libra, you may still be feeling the emotional weight of last week’s Saturn–Neptune conjunction in Aries, which activated your partnership realm in a major way. Big realizations about commitment, boundaries, or the reality of certain relationships are still settling in. This week isn’t about making dramatic moves, it’s about integrating what you’ve learned and giving yourself space to process how your relationship patterns are evolving.

The first full week of Pisces Season shifts your attention toward your daily life, work rhythms, and overall well-being. This is a softer, more intuitive period for adjusting your schedule so it actually supports your energy. Then on February 24th, the First Quarter Moon in Gemini may bring a mental or logistical speed bump around travel plans, learning, or a long-term goal. Stay flexible and open to changing your approach rather than pushing for immediate clarity.

As February winds down, Mercury goes retrograde in Pisces on February 26th for the next three weeks. Expect shifts in your schedule, workplace miscommunications, or a need to revisit health habits and boundaries around how much you’re taking on. This is less about being perfectly productive and more about creating systems that are sustainable. Small adjustments now will make a big difference once Mercury moves forward again.

Scorpio Sun & Rising:

Scorpio, after the emotional shakeup of last week’s Aquarius solar eclipse, this first full week of Pisces Season feels like a welcome exhale. That eclipse squared Uranus in your partnership realm, bringing unexpected shifts or truths in relationships that may have felt destabilizing in the moment, but ultimately freeing. Now, Pisces energy helps you soften. This is your zone of romance, creativity, joy, and inner child healing, inviting you to date yourself, say yes to what feels fun again, and allow love to flow both ways. You may notice your mood lifting, your creativity returning, and your desire for play coming back online. Let this be a lighter week… you’ve earned it.

On February 24th, the First Quarter Moon in Gemini brings a practical checkpoint around shared finances, debts, or long-term wealth planning. This could surface as a small speed bump or reality check, but Gemini energy keeps the tone lighter than usual. Instead of spiraling, approach your situation with curiosity and even a little humor. This is a good time to explore multiple income streams or rethink how you’re managing resources, just be mindful not to overcommit or take on more than you can realistically handle.

As February wraps up, Mercury begins its retrograde in Pisces on February 26th, also in your romance and creativity zone. Over the next three weeks, nostalgia may hit hard. Old flames, familiar dynamics, or rose-colored memories could resurface, making the past look sweeter than it actually was. Stay grounded. This retrograde is less about rekindling old patterns and more about healing them. Use this time for rest, creative reflection, and reconnecting with the version of you that feels playful, expressive, and emotionally safe.

Sagittarius Sun & Rising:

Sag, the first full week of Pisces Season pulls your focus inward toward home, family, and your emotional foundation. After the intensity and movement of the past few weeks, this energy asks you to slow down and tend to your inner world. You may feel the urge to nest, rest, or spend more time with the people and spaces that make you feel safe. Then on February 24th, the First Quarter Moon in Gemini brings a relationship checkpoint. A conversation, decision, or difference in perspective could surface with a partner or close collaborator. Gemini energy here isn’t about conflict, it’s about communication. Stay curious, ask questions, and avoid jumping to conclusions.

As February winds down, Mercury shifts retrograde in Pisces on February 26th for the next three weeks. Plans around living situations, family matters, or domestic routines may shift, or old memories and feelings could resurface. This isn’t the time to rush major moves or make permanent decisions about your living environment unless the process began earlier. Instead, use this period to reorganize your space, revisit emotional boundaries, and create a home life that actually supports your energy. Slowing down now will give you the stability you’ll need for the momentum ahead.

Capricorn Sun & Rising:

Capricorn, the first full week of Pisces Season shifts your focus toward communication, learning, and the conversations shaping your day-to-day life. You may feel more reflective than usual, noticing how your words, thoughts, and mental habits are affecting your energy. This is a softer, more intuitive time for writing, brainstorming, or having heart-centered conversations.

Then on February 24th, the First Quarter Moon in Gemini brings a practical checkpoint around your work routines, responsibilities, or health habits. A small scheduling issue, workload adjustment, or energy dip could surface. Gemini energy asks you to stay flexible and tweak your systems rather than pushing yourself harder.

As February wraps up, Mercury begins its retrograde in Pisces for the next three weeks. Expect delays, crossed wires, or the need to revisit conversations, paperwork, or short-term plans. This isn’t the best time to rush contracts, announcements, or major decisions unless they’ve been in motion already. Instead, use this period to edit, review, and clarify. Slowing down your pace and double-checking details now will save you time and stress once Mercury moves forward again.

Aquarius Sun & Rising:

Aquarius, after such a personal and intense stretch, the first full week of Pisces Season shifts your focus toward grounding and rebuilding your sense of stability. This energy activates your money, self-worth, and values zone, encouraging you to slow down and get clear about what actually feels sustainable. You may find yourself reassessing where your time and energy are going and whether the return feels aligned.

Then on February 24th, the First Quarter Moon in Gemini brings a creative or emotional checkpoint. Something related to dating, a passion project, or how you’re expressing yourself may need a small adjustment. Gemini energy asks you to stay playful and flexible rather than taking the moment too seriously.

As February comes to a close, Mercury begins its retrograde in Pisces in your financial and self-esteem sector for the next three weeks. Payments, budgeting plans, or income conversations may shift or require review. This isn’t the time for major financial risks or impulsive purchases unless they were already planned. Instead, use this period to reassess your spending, renegotiate your value, and reconnect with what actually makes you feel secure. Slow and intentional moves now will help you build a stronger foundation moving forward.

Pisces Sun & Rising:

Pisces, this first full week of your solar return season puts you back at the center of your own story. After the intensity and collective shifts of the past few weeks, the energy now asks you to move at your pace, not the world’s. You may feel more sensitive, intuitive, and aware of what your body and emotions actually need.

Then on February 24th, the First Quarter Moon in Gemini brings a checkpoint around home, family, or your emotional foundation. A conversation, scheduling shift, or small tension in your living environment may require flexibility. Gemini energy here is a reminder to stay adaptable and communicate rather than internalize everything.

Things turn even more introspective on February 26th, when Mercury begins its three-week retrograde in your sign. Since this is happening in your identity and personal expression zone, you may feel more reflective, nostalgic, or uncertain about how you want to show up. Old versions of yourself, past decisions, or unfinished emotional stories could resurface. This isn’t the time to rush major reinventions or make bold personal announcements. Instead, treat this as a personal reset. Journal, rest, revisit your intentions, and let clarity come back to you naturally. The more gentle and honest you are with yourself now, the more aligned your next chapter will feel.

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Bridgerton’s Yerin Ha is currently everywhere . While we have been fans of the Korean-Australian actor since Halo and Bad Behaviour , ...

Bridgerton’s Yerin Ha is currently everywhere. While we have been fans of the Korean-Australian actor since Halo and Bad Behaviour, her breakout role in Bridgerton Season 4 as Sophie Baek has put her on the map worldwide. As the first East Asian to lead the Regency romance drama, she continues to break boundaries and offer representation for those less seen on screen.

As a rising star, Ha has also been hand-picked by SAG-AFTRA to become the Ambassador for The Actor Awards, which will air live on March 2. The star will be sharing behind-the-scenes content and participating in multiple pre-show events.

“Being named The Actor Awards Ambassador is such an honor because this ceremony is about actors celebrating actors,” Ha said. “There is something uniquely powerful about being recognised within your own community. As someone who cares so deeply about the craft and about collaboration, it means so much to represent the next generation of actors and be part of an event that uplifts storytelling.”

There is something uniquely powerful about being recognised within your own community.

Yerin Ha

Ha follows in the footsteps of previous SAG-AFTRA Ambassadors such as Sofia Carson, Haley Lu Richardson, Antonia Gentry and Alexandra Daddario.

The Bridgerton star was most recently seen at Gold House’s Lunar New Year party, where she opened up to People about East-Asian representation on screen. “It’s been really, really amazing and beautiful. I mean, I’ve been really caught up with the [Bridgerton] press tour, so I don’t think I’ve been too [online], Ha said. “It has been really positive and I just feel so proud that I get to be the face of that and keep advocating for change, and knowing that we deserve these roles and spaces.”

Bridgerton Season 4 Part 2 will be released on February 26, and will see Ha’s Sophie (hopefully) win Benedict’s heart and become a true leading lady. In a time where the world can seem overwhelming, it’s lovely to be able to celebrate Ha and her successes.

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My feed has been completely taken over by fans lamenting that they haven’t been able to secure Hilary Duff tickets for The Lucky Me Tour...

My feed has been completely taken over by fans lamenting that they haven’t been able to secure Hilary Duff tickets for The Lucky Me Tour. From people sliding into the pop star’s DMs to beg her to add more dates, to countless memes and TikToks from those who missed out, it’s clear that Hilary Duff fever has landed. During the first Mastercard pre-sale in Australia where I live, there were over 50,000 fans in the queue. Aside from the fact that Duff hasn’t toured here for 18 years, the demand could tie into this interesting trend of pop culture selling nostalgia — a sure-fire way to tap into already established audiences.

According to psychologists, nostalgia is a powerful tool. It has the ability to increase self-esteem, help people form social bonds, soothe anxiety, boredom and stress, as well as being positive for your mental health. One fan tells me a connection with Hilary Duff transports her back to when times felt safer and easier. “They weren’t lying when they said ‘don’t grow up’. I was really lucky growing up, I had a beautiful childhood, with a big family, everything was simple back then and the world felt beautiful and full of colour,” fan Sakara Bell says. “I’ll never forget the Christmas when I unwrapped her album Most Wanted. I played Beat Of My Heart on repeat for months and never got tired of it.”

Anita Tran, who was lucky enough to purchase tickets, says nostalgia is “powerful” right now. “It transports me back to when my biggest worry was whether I’d make it back home in time to watch my favourite Disney Channel shows. A time where my first crush was Chad Michael Murray in One Tree Hill or I first understood what love meant watching Dawson’s Creek. It’s sweet, it’s innocent, and it’s just safe,” Tran adds. “Hilary is my childhood. She takes me back to my youth, where a cartoon Lizzie McGuire narrated my exact teenage thoughts, and Metamorphosis was the album my besties and I blasted on the way home from school.” Other fans echoed the same sentiment, with one wanting to “heal her inner teen”, and another says Duff “genuinely influenced her personality as a child”.

Being able to experience something that is your childhood, is everything and more.

Sakara Bell, Hilary Duff Fan

Duff’s triumphant return to pop music is not only a reclaiming of her story, and finally being able to write the music she always wanted to write, but it ties into a larger theme of how we’re seeing the world. The definition of nostalgia is wanting to return to a time of life where things seemed better than the present, and with the current political climate, consumers are more desperate for nostalgia than ever. With an ongoing genocide in Gaza, Trump rolling back women’s rights, and the issues of ICE in the USA, it seems almost impossible to go through life without being faced with a new horrific truth. Shared nostalgia gives us an escape, where we can come together and bond as a community.

It’s no surprise that brands have commodified nostalgia. If you were wondering why there have been endless amounts of reboots (did we really need Zoey 102?), and beloved childhood toys like Barbie getting the big-screen treatment, there’s a reason. Research shows that nostalgia can “decrease people’s desire for money”. People are more willing to open their wallets and pay more for products. Culture Club co-host and writer Jasmine Wallis agrees, believing that while she loves nostalgia, a big part of it is capitalism. “Millenials and older Gen Z’s (like Hilary’s fans) are entering adulthood in a really tough economy. So, while having kids and buying a house feels like a huge struggle and sacrifice, attending concerts like Hilary’s can offer a sense of joy for just $200,” Wallis says. “It takes us back to childhood whilst also offering a reprieve from adulthood. Executives and corporations know this and so are playing into it.” Duff fan Sakara Bell is aware of this marketing tactic, but it doesn’t turn her off at all. “I don’t really care. As cringy as it is, you only live once, and I’m a big believer in money comes and goes,” Bell says. “Being able to experience something that is your childhood, is everything and more.”

It takes us back to childhood whilst also offering a reprieve from adulthood. Executives and corporations know this and so are playing into it.

Jasmine Wallis, co-host and writer of culture club

Nostalgia isn’t even exclusive to your own childhood, either. Even Gen Z are tapping into nostalgia for the 1990s, including those who weren’t alive at the time. The pre-digital era is coveted by those who believe we’re spending too long doomscrolling. According to a study in the US, two-thirds of Gen Z adults wished to return to a world before we were all “plugged in”.

Perhaps that’s why Hilary Duff has completely taken over in Australia. It’s about more than just her hits (but she has great bops, to be fair), and more about society and how we yearn for a simpler, kinder time in life.

This story was originally published on Refinery29’s Australia edition

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When I say I’ve watched the rise and fall of size inclusion at New York Fashion Week , I really mean it.  I was at the runway of the ...

When I say I’ve watched the rise and fall of size inclusion at New York Fashion Week, I really mean it. 

I was at the runway of the first plus-size designer on the official NYFW calendar (Eden Miller’s Cabiria, showing at Mercedes Benz Fashion Week back in 2013). A year later, I was there when Chromat opened their SS15 show with plus model Denise Bidot — and I made a very un-fashion-week-like exclamation of excitement when I saw her step onto the runway. I saw Christian Siriano go from a straight size designer to a plus fashion collab with Lane Bryant, to dressing plus celebrities for the red carpet, to becoming one of the designers known for dressing every body once he normalized including multiple plus models on the runway in 2016.

For a glorious while, it felt like progress was inevitable and the number of plus models walking NYFW would just keep going up… and then the pandemic hit. And then the rise of Ozempic for weight loss hit. And suddenly, progress hadn’t just ground to a halt — we were going backwards. 

As someone who has been pushing for size inclusion in fashion for over a decade, it is beyond disheartening to see the tiny bit of hard-fought progress we made being pushed back so rapidly. I’ve loved fashion since I was a little kid (I was the 5 year-old seeking out copies of Vogue and Elle at the local library), and I still get a thrill from covering NYFW even after a decade plus of doing so. But sometimes I look at the CFDA calendar before a season starts and feel my anxiety rising, because I just know there probably will be little to no size diversity to come. 

That bad-gut feeling was sadly correct this season. The official numbers aren’t in yet, but this might have been one of the least size diverse New York Fashion Weeks in recent history — and that bar is low.

Now, some of this season’s dip can be attributed to certain brands sitting the season out. Last season, I saw the bulk of visibly plus size representation at plus-specific shows like Renee Cafaro Atelier and plus fashion label Eloquii’s NYFW debut. Size inclusive designers like Rachel Antonoff and Kimberly Gordon of Selkie can always be counted on for truly diverse runways too, but neither showed this season. Alexis Bittar is another designer that I always find casts without discriminating against larger bodies (last season’s pageant-themed presentation was filled with dolls of every size), but this year’s visceral, violent, and excellent vignette just included one model (and one victim), so size diversity wasn’t applicable this time around.

But all that just highlights the fact that it shouldn’t be on a handful of designers to carry all of the representation at Fashion Week. Because when they change their format or skip a season, the absence is keenly felt.

Sarah Chiwaya

These feelings are supported by the data: We’ve not yet seen the numbers from this season, but last season the representation was insignificant, with less than 1% plus models on the runway, and 97.1% of models sizes 0-4. Given that the average U.S. size is closer to a 16/18 (and recent CDC data shows that that size is holding true even after years of aggressive marketing of GLP-1s for weight loss), that is nothing short of abysmal. 

To be clear, we’ve never approached anything even CLOSE to equitable runway representation (which would mean at least 67% curve models). Indeed, we’ve barely even cracked 5% — and that’s with the most generous calculations. Tokenization, which is not real representation, has often been the norm over the last decade, but there’s nothing like seeing zero curves on the runway to put the absence of even that little bit of size diversity into sharp relief. 

I wasn’t alone in feeling it, either. Bella Gerard, a fashion editor and author of Substack’s B List, also noted the blatant regression: “Above all else, the lack of body diversity on the runway this season just feels so…disappointing,” she noted. “It’s not breaking news that attempts at inclusivity are often performative in the fashion sphere, but this season really proved a ‘one step forward, three steps back’ reality. Not only was there next to no curve representation, but the straight size models looked even thinner than in recent years, calling back to an era of thinspo I thought we’d collectively renounced and evolved past.”

Fortunately, there were some bright points this season too, with top designers whose visions of fashion were not constrained to just one type of girl. On the first day of shows, Collina Strada showed a deliciously darkly romantic-yet-eclectic collection, replete with high Victorian lace collars, blurred prints, volume play, and body baring dropped-waist silk dresses that looked equally hot on straight and plus size models. Later that evening, Jane Wade’s show — titled “The Summit” — was an innovative fashion expedition, with conifers on the runway, tents on dresses (and as dresses), and survival-ready fabrications merged with Wade’s signature suiting and elevated officewear. (The story of a corporate woman dreaming of an escape to nature is crucially not one limited by size.)

And at New York Men’s Day, A.Potts showed a distinctive style of oversized, genderless clothing on a cast that included both age diversity and an even more underrepresented category: Male plus models. Designer Aaron Potts is no stranger to size diverse casting, either: Prior seasons have included plus models, and I — a size 20 — was actually one of the models for the launch of his new diffusion label Werkshop by A.Potts (which was also featured in his NYMD presentation). 

I allowed myself a little hope after that good first day, but as the week went on and I saw more shows with zero curve models than not, the lack of size inclusion just felt more and more pronounced. Industry friends who knew I was reporting on size inclusion this season would occasionally text me curve model sightings. “Paloma on the runway at Proenza.” “One curve model at Gabe Gordon.” “I think two? at Eckhaus Latta.” Every message was appreciated, but the underlying implication that we needed to be eagle-eyed to spot even a smidgeon of size inclusion was a downer. 

Then there were the false positives, driven by the emerging trend of adding mass to thin bodies with clothing. I saw countless peplums, panniers, and padded pieces throughout the week, and as I was desperately searching for a hint of curve and trying to parse a tall size 8 curve model from her size 4 contemporary, I occasionally got excited only to realize that was just a straight size model with fabric curves added on. It felt like I was playing an unwitting (and unwelcome) game of “curve model or just a structured hip?” When there’s so little visual difference between straight and curve models — who do not typically wear actual plus sizes, paradoxically — the facade of inclusion shatters even more.

Shows with organic diversity, like Kim Shui’s richly textured, color-forward FW26 show, were some of the bright points of the season, but were sadly the exceptions, not the rule. Age diversity did seem to be on the uptick, too — with gorgeous older models in shows including Carolina Herrera, Diotima, and the relaunch of Derek Lam with new creative director Robert Rodriguez at the helm.

Yet as I saw runway after runway composed exclusively of the thinnest models, the scattered tips I was getting about curve models on the runway started to feel like rare sightings of an endangered species.

Sarah Chiwaya

As someone with 25 seasons of NYFW under my belt and who has dedicated my career to the push for more and better for plus size women, I am always wary when there’s a category that seems like the chosen diversity du jour. True representation should be across the board and not a passing trend, with an ongoing emphasis on making sure underrepresented groups can see themselves in fashion. I’ve obviously clocked this, but other fashion industry vets have noted it as well. 

In a recent piece for the New York Times, top fashion critic Vanessa Friedman noted that the recent shift extends well beyond the catwalk: “The gravitational pull is toward an ever-shrinking human form, especially on the runway,” she wrote. “It’s too bad. Not because skinniness is bad, but because it should not be the only option. People still come in all sorts of shapes and sizes. Seeing the reality of life reflected on the runways, which have become a form of entertainment for everyone, is actually more appealing than seeing life reduced to one size that cannot fit all.

Designers who really understand that appeal also know that it’s good for their bottom line. Committing to size inclusivity isn’t just the ethical thing to do — it’s good business sense, too. Take Christian Siriano, who extolled the fiscal virtues of size inclusion back in 2018, saying: “Adding plus sizes to my line tripled my business. Why wouldn’t you do that?!” 

This season, when asked about diversity in casting, he echoed that sentiment, exclaiming that it was “so important!” Last week, the designer punctuated this belief visually by sending the same silhouette down the runway on two different body types. “I love how you can see they look amazing in the same dress, in the same look,” he told me backstage. 

When designers approach representation as part of their brand identity, it effortlessly translates to the audience. Both legendary R&B singer Monica and the Whoopi Goldberg independently praised Siriano’s commitment to making fashion for all backstage. “It was absolute elegance, and it was for every size, shape, color and creed, so many different types of women — and men! — in the show,” Monica noted. “Gives you all sorts of inspiration!” Goldberg summed it up even more succinctly: “Christian’s work just always inspires me and makes me so happy, because we can all wear it.”

That type of organic inclusion was also evident in Chuks Collins’s striking presentation, which ranged from lush topstitched knits to sharp suits to stunning structured ballgowns, all shown on a range of sizes and body types. (Collins was heavily influenced by how scarification, purposeful, ritual, and otherwise, can play into the way we present ourselves to the world.)

“I grew up seeing people that look like you, people that look like me,” Collins said. “My mom is not a size 2. My grandmother, who taught me to sew, she’s not a size 10. About 40 to 50% of my clients are plus size people. So I am not going to lie to myself and say ‘oh, my demographic, my ideal demographic is a size 2 to 4.’”

For Collins, who started the brand in 2006, building a collection for customers of all sizes is both a labor of love and a practical financial matter — after all, he’s building a label he wants to last. “I have to create clothes that people see themselves in, that they want to wear. With that, I’m becoming a successful business,” he noted. “I also just love dressing people with curves, because that’s what I started doing, that’s how I started my career. So I’m not going to — because of what, industry standards? — I’m not going to include that? And I love women. I love beautiful women with curves. I tell the stories of how I feel, and my work is a representation of myself.” 

In the end, an outsized portion of the size diversity this season came from emerging designers and those making their CFDA debuts, such as Menyelek Rose of the eponymous label Menyelek. Designer Andrew Curwen, meanwhile, showed a sexy, directional, and haunting (complimentary!) collection. “Nocturnal Conditions” looked stunning on every figure, and the diverse cast (by F10 Casting agency) felt simultaneously natural and intentional. 

Camryn Mcclain of RENÉE NYC also cited body diversity as integral to her inspiration: “For casting this season, we focused on different characters of everyday people of various shapes and sizes that reflect what I see in the city,” Mcclain said. That thoughtfulness complemented a presentation of some of the most interesting knitwear I’ve seen lately, with bold braiding and fringe details rendered in rich jewel tones and gilded neutrals.

“I want my collection to inspire and be inclusive for everyone,” said Veejay Floresca, another designer on the CFDA calendar for the first time. “I worked with my team to cast models across sizes, races, ages, and gender identities so that everyone can see themselves in the collection I created. It is so important to me that everyone feels beautiful and can express themselves freely and I hope my collection can bring this to all of my customers.” 

The casting fully reflected that, with a stunning range of bodies (including Project Runway star plus model Liris Crosse) all looking occasion-ready in sumptuous gowns and suiting. Floresca’s Project Runway mentor Christian Siriano was also in attendance, and it felt both poetic and prophetic that Floresca is also adding to the legacy of embracing true runway diversity. 

As New York Fashion Week wrapped, social media was only beginning to set itself ablaze with reactions to the new Netflix documentary centered on America’s Next Top Model, particularly  the impossible beauty standards that persisted then and seem intent on making a vicious comeback today. While reactions to the show — and the harmful standards that were upheld in the era of ANTM — are rightfully horrified, it’s worth looking at the present in the same lens.

Fashion is meant to be forward-looking, creative, and progressive, but all too often falls into the “that’s just the way things are” default.

Designers letting themselves off the diversity hook now, thinking the current wave of regressive and exclusionary ideals will be an excuse, will inevitably find themselves on the wrong side of history.

Sarah Chiwaya

For now, the bright spots and the designers that see fashion for all will keep me going. As Curwen said after his show: “Those who are told ‘no’ the most in the industry are the ones we pay the most attention to.” In doing so, Curwen and designers like him set themselves apart from the crowded field of brands all targeting the least populous market (aka straight sizes). Here’s hoping the industry gets on board with this more expansive view of who belongs in fashion, and other designers see the opportunity that true inclusion presents, for both business and the human obligation.

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I’ve been to a lot of fashion shows.  New York Fashion Week  is basically a sport at this point and I’m basically an Olympian. You prep, ...

I’ve been to a lot of fashion shows. New York Fashion Week is basically a sport at this point and I’m basically an Olympian. You prep, you glam, you Uber in heels because you can’t actually walk in them, and you pray the show starts late. I’ve mastered the rhythm. I know how to move. But this time, it felt different. Because for the first time ever, I wasn’t just attending a show, I was being dressed for one. And not just by anyone. By Sergio Hudson. For his Fall/Winter 2026 runway. On his 10th anniversary. I’m still pinching myself.  

My Favorite Room During Fashion Week 

Sergio Hudson’s show is hands down my favorite show to attend during New York Fashion Week. The collections are always versatile. Whether you’re a corporate baddie running a boardroom, the belle of the ball at a gala, or just a fashion girly who loves to throw that fit on, Sergio has a piece for you. And his casting is inclusive. Always. In a fashion world that still struggles with representation, his runway actually looks like us.   

The room itself feels like the hottest and chicest invite of the year but never exclusive in a weird way. Everyone from Monica to Jackie Aina was there. And somehow, no one feels more important than the other. You feel like you belong. 

The Showroom Moment 

Screenshot

A few days before the show, I went to the Sergio Hudson showroom to find my look. My first option was a red blazer moment. It was giving “I own the company,” but I wasn’t fully sold. I wanted a moment. Then one of the stylists pulled out a silver sequin dress and I knew. I paired it with a gray wool coat draped over my shoulders and yeah, this was the bold statement I needed to make. It felt regal, dramatic, and intentional. All I needed were silver heels to finish it off. If you’re going to be dressed by Sergio Hudson for his 10th anniversary show, you don’t play small. 

Fashion Week Tried Me 

Now here’s where the plot thickens. Show day was a mess. On the day of the show, I still hadn’t found the perfect shoes. I had two hair appointments. I had to shower, do my makeup, get dressed, and be there by 6:45 PM. 

Appointments got pushed. My hair didn’t finish until 5 PM. I rushed home, threw on my dress, did my makeup with one eye on the clock, and ran out the door. I got in the Uber at 6:20 PM. and because it’s New York… traffic!  

What should have been a quick ride turned into over an hour. I was panicking the entire time. All that prep. All that anticipation. Just to possibly miss the show? I felt defeated sitting in that back seat. But by the grace of God, I made it. The show started ten minutes after I arrived. And I’m choosing to be a delusional queen and believe they stalled it for me.  

10 Years of Excellence 

The collection was out of this world. Bold colors. Chic tailoring. Fierce models. Looks that quite literally took your breath away. It felt celebratory but forward. A reminder that ten years in this industry, especially as a Black designer, is no small thing.  

Ten years of vision. Ten years of staying true. Ten years of dressing powerful women and men in pieces that command attention.  

It’s safe to say my outfit was a hit. As I walked into the show and later as walked out, people were taking photos of me. Complimenting the dress. Stopping me mid-step. For a moment, I felt like a queen.  

Being dressed by a Black designer, celebrating his milestone, and sitting in a room filled with culture, excellence, and intention will always be one of the highlights of my career.  

Supporting Black-owned designers like Sergio Hudson isn’t just about fashion, it’s about community. It’s about showing up for the people who reflect us, design for us, and see us. I already can’t wait for the next show. 

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Over the last week, New York City proved its status as a fashion capital of the world, with talented designers showcasing creative collec...

Over the last week, New York City proved its status as a fashion capital of the world, with talented designers showcasing creative collections on the runways, in the streets, and on our feeds. From “let them eat cake” aesthetics and double-duty bags to fringed frocks and leather opera gloves, New York Fashion Week brought statement fashion trends and serious 2026 outfit inspo to the forefront.

In order to get the front-row scoop on what will be huge for the fall and winter of 2026, I attended so many fashion shows and presentations that my heels hurt and phone was always on the brink of losing power. The endeavor was more than worth it because I found the standout trends (that I think you can start implementing into your wardrobe while it’s still cold!). The wonderfully disheveled indie sleaze look and head-to-toe animal prints that dominated New York’s runways are especially great for party looks, while brooches and headwear can add flair to any winter outfit.

Ahead, see which brands — from New York staples like Tory Burch to NYFW debuts like that of designer-denim staple 7 For All Mankind — took on similar trends in their own unique points of view. Then shop styles to get the looks.

Vintage-Inspired Brooches for Today

Wondering what the stand-out accessory of the A/W 2026 shows were? It wasn’t just one shoe trend or a particular purse or a statement necklace. It was the brooch. Ranging from metal sculptures from the likes of Caroline Herrera, Cult Gaia, and Tory Burch; crystal cascades courtesy of Collina Strada; 3D glass florals by Caroline Zimbalist; and Sergio Hudson’s fabric-covered designs, many brands put their seal of approval on a vintage staple.

These modern designs might look out of place in your grandmother’s jewelry box (but that doesn’t mean she won’t want to borrow your baubles from time to time!). Pin them to your sweater, winter coat, or to secure your scarf for fashion and function.

Animals Gone Wild

I can confidently say that animal prints will never go out of style. In fact, they’ve essentially become neutrals that can seamlessly integrate into everyone’s wardrobes today. This season, brands like Anna Sui, Norma Kamali, Ralph Lauren, and Ulla Johnson tapped the fan-favorite cheetah and leopard prints. Looking to find inspiration from other corners of the animal kingdom? Kim Shui and Markarian introduced tiger prints, while Kate Hundley and Sergio Hudson offered snakeskin sets, and Bronx and Banco sent out a zebra purse.

Animal illustrations were also big sources of inspiration, as Alix of Bohemia featured a whole zoo worth of animal prints and embellishments (think: giraffes and monkeys!). Swans also popped up across Tanner Fletcher outerwear and Aknvas button-downs if avian-inspired looks are more your style.

The Grunge & Indie Sleaze Scene

For those of us who crave nostalgia, it’s exciting to note that the ‘90s and early 2000s have never been more back! Specifically, moody grunge and indie sleaze party-girl aesthetics are having a moment, with dark palettes, messy styling, and even disheveled, slept-in hair (look no further than Collina Strada’s models for proof). Plaid prints featured heavily in the anchor pieces of several collections, including Coach’s youthful blazers as well as Collina Strada’s and Private Policy’s dresses.

The 7 For All Mankind runway show was also a master class in early-aughts styling, down to the energy and even the models’ viral walks. Think, lots of layering, all-denim-everything, skinny scarves, platform pumps, jumbo shoulder bags, and chunky jewelry all together — because in this case, more is more.

Hat Attack

Bundling up in the cold has never looked so chic. Hats and headpieces served as the cherry on top of this season’s runway looks, serving inspiration for right now and next winter. Designers especially made the case for having headwear for every outfit and event, no matter how casual or fancy. Designs included chic pillbox hats and caps that tie around the neck (Christian Cowan), fur trapper hats and headbands (Aknvas and Bronc and Banco), oversized knit silhouettes (Advisry), extra-long beanies (Private Policy), lace skull caps (Prabal Gurung and LaQuan Smith), and beaded head coverings (Jane Wade) across womenswear and menswear alike.

The impossibly stylish A$AP Rocky even wore a fur trapper to close out the NYFW debut of his brand AWGE, giving hats a celebrity stamp of approval!

All Laced Up

While the collections that New York City’s designers showed this season weren’t as stiff or structured as some in the past, lacing still showed up as a major throughline. For proof, look no further than Adeam’s, Elena Velez’s, and Meruert Tolegen’s not-so-basic corsets and dresses.

Those seeking more casual interpretations of the trend can turn to Kate Hundley’s lace-up puffer jacket, which is proof that your winter puffer can not only not ruin your outfit; it can make your entire look. Gabe Gordon’s lace-up knit skirt also feels as right for après ski as it does for a Saturday athleisure look. Laces even made their way into the models’ hair at Caroline Zimbalist as an unexpected hairstyle trend.

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Over the last few days, the social media firing squad has been aimed at Tyra Banks and the producers behind America’s Next Top Model , t...

Over the last few days, the social media firing squad has been aimed at Tyra Banks and the producers behind America’s Next Top Model, the cultural phenomenon of a reality show that aired from 2003 to 2018 and spawned dozens of international spinoffs. Reality Check: Inside America’s Next Top Model is proof that the more things change, the more they stay the same.

The Netflix docuseries, which premiered on February 11, featured firsthand accounts from models, including Ebony Haith (Cycle 1), Shandi Sullivan (Cycle 2) and Danielle Evans (Cycle 6) as well as judges Jay Manuel, J. Alexander and Nigel Barker. Through three episodes, viewers get a firsthand look at the exploitative conditions contestants were subjected to each cycle. That included extreme makeovers using plastic surgery and dental work, blackface and racist stereotypes as photoshoot themes and a sexual assault that was intentionally caught on film. Banks and former ANTM executive producer Ken Mok, who both served as executive producers for Reality Check, were also interviewed.

For 24 cycles, Banks was able to bully women into becoming the American ideal standard of what the “ideal woman” was at that time. And for millennials who were coming of age at the height of the show, it was not only appointment television; it was a rubric for how to become worthy of adoration.

Reality Check: Inside America’s Next Top Model. (L to R) Nigel Barker, Miss J and Jay Manuel in Reality Check: Inside America’s Next Top Model. Cr. Courtesy of Netflix © 2026

ANTM was one of the first times millennials witnessed hyperfemininity politics on display in the media through a reality show competition. As a little Black girl from the Midwest, watching the women who looked like me on the show further ingrained a conditioning that was already at play: that, to the world, I could only be beautiful with conditions. With Reality Check, flashbacks of Ebony’s gorgeous skin being called dull and ashy came rushing to the forefront. Danielle Evans being pressured to close her gap influenced me to want braces (thank you for not acquiescing, mom). Watching judges dismiss the concerns of Tocarra Jones (Cycle 3), a full-figured woman from my hometown who I grew up looking up to, injured my confidence as I grew into my own curves.

Banks skirts accountability in an astonishingly delusional manner throughout the docuseries.

And as a child, I was convinced Black girls couldn’t show their hurt like Tiffany Richardson (Cycle 4) did, lest be seen as aggressive, ungrateful and undeserving.

“It was very, very intense but you guys were demanding it, and so we kept pushing more and more and more,” Banks said in Reality Check.

Banks skirts accountability in an astonishingly delusional manner throughout the docuseries. The trauma this show left with these women — especially the sexual assault of Shandi, which the documentary doesn’t name as such — was real, and Banks is to blame. At the same time, there’s some validity in her statement that we can’t ignore. No, viewers didn’t force Banks to exploit these women,  and much of the trauma they were subjected to has come into perspective only recently, but the buck doesn’t stop with Banks or this show.

Reality Check: Inside America’s Next Top Model. Dani Evans in Reality Check: Inside America’s Next Top Model. Cr. Courtesy of Netflix © 2026

ANTM wasn’t just a look into the exploitative extremes models experienced behind the scenes. It held a mirror up to the homogenous beauty standards that Americans celebrated in the early to mid aughts. The message was resounding: thin and white was right. And if you were a woman of color, you better adapt quickly if you want to get anywhere.

As we sit firmly in 2026, it’s clear how wrong Banks and the producers were in their abuse of power. But what’s being overlooked is that history is repeating itself right before our eyes.

ANTM wasn’t just a look into the exploitative extremes models experienced behind the scenes. It held a mirror up to the homogenous beauty standards that Americans celebrated in the early to mid aughts.

With social media, there’s an insurmountable pressure that comes with showing up as your best. And unlike in 2003, the feedback is in real time. With a growing amount of content creators and influencers relying on social media platforms for their livelihoods, it takes more time, energy and money than ever before to keep up with appearances. For many, that’s the difference between economic stability or missing out on opportunities.

Body positivity feels like a thing of the past as the idea of thinness reemerges as a status symbol and the demand for cosmetic procedures for younger groups increases. Doctors and marketers push GLP-1s on any and everyone regardless of clinical need. And Sydney Sweeney’s “great jeans” American Eagle ad feels in conversation with Mike Tyson’s fat shaming Super Bowl ad funded by Make America Healthy Again.

In addition, the needle hasn’t moved much on Black women being labeled “aggressive” and facing microaggressions and outright racism on and off screen. Even in the show “The Traitors,” Black contestants are given far less grace to prove themselves as “faithfuls” due to stereotypes being used as evidence of their integrity.

So many of us who watched ANTM growing up have done work to divorce ourselves from the limiting beliefs that the show and others instilled in us growing up. (For me, that looked like embracing my curves and natural hair.) But witnessing progressive ideas of beauty disappear in media while it simultaneously shames Banks feels a bit hypocritical.

It’s frustrating to see Banks refuse to take accountability for her wrongdoings and have the nerve to tease a Cycle 25 that may go to less extremes but will be likely to fall into old patterns. But what’s also true is that she is the perfect scapegoat for this moment to keep us comfortable in repeating the same mistakes. There’s a regressiveness happening that we can’t ignore. Today, it’s a reality check that our favorite show perpetuated the same system it said it wanted to change. Tomorrow it’s something far more sinister. 

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When it comes to  my manicure , I’m pretty unadventurous. As soon as I sit down at my local salon, my nail tech knows exactly what to ask...

When it comes to my manicure, I’m pretty unadventurous. As soon as I sit down at my local salon, my nail tech knows exactly what to ask: “Your usual French?” And the answer is always yes. To me, a French manicure — whether the classic white tip or something a bit cooler, like cat-eye — strikes the perfect balance between timeless and elevated, and it takes a lot to sway me from it. But the trending “reverse” French manicure might just change that. 

What is the reverse French manicure?  

The reverse French manicure isn’t exactly new, but we have Cardi B’s Super Bowl look to thank for its recent comeback. Her nail artist, Coca Michelle, turned the classic French manicure on its head — literally — by flipping the gold tip so it curved around the base of the nail, right at the cuticle. Since then, Google searches for “reverse French manicure” have increased by 110%, as it seems we’re ready to channel Cardi B and try something different. 

Natalia Mercedes, nail artist and founder of Sad Girl Nails Studio in New York City, is well-versed in the art of the reverse French manicure. “The reverse French is essentially a flipped take on the classic,” she explains. “Instead of highlighting the tip of the nail, the design hugs the curve of the cuticle with either a thin, delicate line or a thicker, more graphic arc,” — exactly like this beautiful set by nail artist Fern Barron

Mercedes adds that it draws the eye downward. “It frames the nail at its base rather than the edge, which gives it a more unexpected, editorial feel compared to the traditional French.” 

She has an idea why it’s becoming so popular again: “It’s a twist on a timeless look, and right now clients are craving fresh ways to stay minimal without feeling boring,” she says. To Mercedes, the reverse French feels modern and intentional — subtle, yet still a statement, like this set by Fliss Alton. “It’s perfect for someone who loves ‘clean’ nails but wants something more directional than a standard tip,” adds Mercedes. 

How do you achieve the reverse French manicure? 

Achieving a reverse French manicure is similar to painting a traditional French tip. It calls for the precision of a thin nail brush and a steady, skilled hand as not to flood the cuticle with polish or get any uncured gel on the skin, which could potentially cause an allergic reaction.  

There’s a clever benefit to reverse French nails, too, but it depends on your color choices: “If you incorporate negative space or a sheer nude at the cuticle area, the grow-out can look incredibly subtle,” says Mercedes. Because the design is already anchored at the base, she adds that it can blend more seamlessly as the nail grows. “This is especially true when softer tones are used,” she says, like nude shades.

Intrigued? Here are a few more of our favorite reverse French tip nail looks for your perusal.  

Polka-Dot Reverse French 

Polka dots are the nail art trend du jour, but if you don’t have the patience for a full look, ask your manicurist for a reverse French instead. This dainty design by Lucy Rose is so cute. 

Accent Reverse French

Nail artist Fliss Alton used The GelBottle’s BIAB in Teddy for the base, with Chalk Blue for the skinny French tip and the reverse French accent nail — a subtle switch-up that feels refreshing. 

Negative Space Reverse French

The glossy, clear base makes this burgundy reverse French — painstakingly painted by Jenny VanHoy — really pop. 

Tortie Reverse French

These tortoiseshell nails by The Nail Nerds are given a serious upgrade with a neon green reverse French, which draws the eye downward. 

Chunky Reverse French

The chunky cobalt blue reverse French over a jet-black base, finished with a slick of glossy top coat, almost makes this set by Plaster look 3D. 

Double Reverse French

Nail artist Lucy-Rose proves she has a steady hand with this double reverse French — a white slick of polish edged with a line of silver chrome, all set against a peachy base. 

Chrome Reverse French

This thick silver chrome reverse French by Gabriela Santiago looks stunning against a duck egg blue base. 

Micro Reverse French

Reverse French or nail cuffs — whatever you call the trend — Fliss Alton’s super-skinny take is subtle and so chic. 

Gilt Reverse French

This gold reverse French by Australia-based @jellyjellynails_ is the manicure equivalent of stacking gold jewelry. 

Rose Reverse French

Colchester-based nail tech Christina knew the neon pink “cuticle cuff” would perfectly complement the blush pink base of this set. 

Short Reverse French

Unlike the traditional French tip, the reverse French is much easier to master on shorter nails, like this set by manicurist Charlotte May. We especially love the sky blue base and how the reverse French wraps around the tip slightly.

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